The Treachery of Images: Why is Reversal So Difficult in Printmaking?

With the exception of stenciling, the majority of fine art printmaking processes require reversal of the image meant for reproduction. The printmaking surface, or "matrix," that the artist creates must be a mirror image of the intended finished artwork. Direction of text, numbers, anatomical details on organs, and nonsymmetrical facial features must all be planned carefully so that the resulting print will be accurate - or at least won't look too weird. Poor Planning for this Printed Pump Working with a mirror of your intended image can be difficult for anyone, beginner or master. In her book, Contact: Art and the Pull of Print , Jennifer L. Roberts reveals that one of the most well-recognized painters from the Dutch Golden Age got into trouble with reversal when etching a copper plate for a print. In Rembrandt's Print The Raising of Lazarus , the biblical character of Jesus can be seen lifting his left hand instead of right to raise the character Lazarus from the...